Treasured Items... Steve Sane

Every item has a story to tell. Of course, some stories are more captivating than others and here at Style Salvage, we strive to seek out the most interesting to share with you. After weeks of fashion and previews in what future seasons will bring, we've acquired a thirst for the tangible and items that have a real narrative and meaning to them as opposed to having been dreamt up by an excited PR. Here, Sane Communications and The Great Divide's very own Steve Sane continues are series of wardrobe tales and reminds us that there really is more to menswear blogging (and life for that matter) than the goings on at the latest trade show or glimpse of a runway...

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Steve Sane and the wedding ring

"I love this as it signifies in one gold band the man that I have become and how fortunate I am to have the lady and relationship that it represents. It's heavy and chunky and I always know it's there - a quiet reminder of my VERY animated wonderful wife with whom I share everything. She's a top lady. I'm super proud of it."

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Steve Sane and the protection ring

"This ring was bought by my aforementioned lady and it is made by HOPI tribe Indians - I am a big fan of Navajo belief and symbolism - the rings two symbols represent the scorpion and the bear - the sting and the protective weight look after me - it's blessed and I dig it bad."

Steve Sane of Sane Communications and The Great Divide

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Details: The familiar fox in Paris

The striding fox has been featured on the E. Tautz logo since its founding in 1876 and echoes the label's rich hunting and sportswear heritage. It was a familiar sight during my weekend in Paris as these fabulous silver pins were handed out to visitors at the London Showroom Men. Here, one member of the BFC team wears it very well indeed.

Style Stalking... Brandon

It has been a few months since we last lurked in the shadows to partake in a spot of Style Stalking. This seven day diary style feature has become one of the most popular sections of the site and we are constantly on the search for a diverse mix of stylish individuals. After some fruitless outfit voyeurism, we can make up for the barren spell with a real treat. With the help of a few friends, Feigned Perfection's Brandon has captured a full week's worth of his layered ensembles for us to savour.

Brandon is a man who knows how to use colour and play with textures to make truly wonderful, multi faceted outfits. He is someone who knows how to balance vintage, high street and a mix of labels (although, he is a self confessed Issey addict) in such a way that the admiring observer has absolutely no idea where he shops. Now, we could continue to wax lyrical about his style but that would only delay you from the real treat of the upcoming visuals. Without further ado, here's the man himself introducing his diary...

"I couldn't really write an introduction to my own Style Stalking feature, without saying how much of an honour it is to be asked to do this. The following seven days worth of clothing is a snapshot of the schizophrenia that is my style. If you've read my blog, or know me at all; you'll know that there are two things that define the way I present myself: messiness, and layering. I'm not sure if the extent of either of these really translates over the internet, but hopefully some of you won't walk away with the feeling you get after a really intense thrifting experience (I'm talking thrift by the lb. here people). Until doing this, I had no idea how much Issey Miyake and Issey-sub brands are in my regular rotation… I guess I have Issey issues. The good photos were taken by my friends, otherwise the photos were on my fire escape with my timer mode (so apologies for the lack of quality...)"

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Day One - Happy birthday to me!

"My birthday happened to be on a particularly bad week for me so I needed my clothing to bring me up to an appropriate level (or layer… ugh I know, bad) of good spirits. So in that regard, everything I wore was a little nugget of intrigue. From the weird and wrongly worn Undercover jumper (it's really a jumper with a tiny baby sweater going through the stomach. Yeah I told you it was wrong (so wrong it's right?)) to my Grandfathers tuxedo jacket (and Dad's handkerchief as a pocket square). It was also the first outing of my Issey Miyake "Vulcan Parachute" Trenchcoat. From the sci-fi techno fabric with pleated back and elbows, to the way it flies in the wind: this coat a great example of the futuristic vitality of Issey Miyake clothing."

Issey Miyake "Vulcan Parachute" trenchcoat, Grandfathers tuxedo jacket, Pleats Please yellow cardigan (worn upside down), Undercover "Toddler Attached" sweater (worn with my head through the bottom of the toddlers jumper (could this sound anymore f*cked up?), Ivan Grundhal tulle cardigan, Liberty London shirt, Haat printed green trousers, Alejandro Ingelmo Wooster boot/sneaker/wingtips, Issey Miyake organza bow tie, Vintage ugly duckling brooch, Dads handkerchief (pocket square) and Uniqlo socks

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Day Two - College Bored

"I find school can be quite trying for me, despite it being a "fashion" college my aesthetics in both design and choice of clothing tends to be misunderstood. I guess this is a good example of the strange way I think things can go together to make me feel powerful maybe? Definitely cosy and therefore at ease. The photos were taken by Wax of Pop, Bop and Snap, hence they're lovely."

Vintage fringe jacket from London, Opening Ceremony x Pendleton wool suit (with the jacket worn upside down), Ivan Grundhal deconstructed cotton/wool jacket, Haat asymmetric jumper, Kenzo printed shirt, SURevolution belt worn as necklace, Dr Martens metallic boots, Peter Pilotto x Kipling school bag, Ralph Lauren silk scarf wrapped around wrist and a nickel cuff from a friend

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Day Three - Typical Work Day

"Decided to do my version of minimalism today. I recently managed to get a large amount of Pleats Please (Yes I realize I sound a little like an Issey Miyake advertisement) for a song and the sculptural qualities continue to amaze me. This was my first top from the brand and I love the way it clings and bulges in seemingly random ways."

Pleats Please mid sleeve shirt, Paul Smith digital fishing print shirt, Zero + Maria Cornejo fold shorts, Issey Miyake APOC leggings and Alejandro Ingelmo sneakers

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Day Four - Style Like U Book Launch

"Well what can I say? My friends at Style Like U have been working towards this book for a long time, and I was happy. 'nuff said…"

Issey Miyake "future rainforest" biker jacket (The design team traveled to Brazil for this collection and collected actual colour samples as close to real rainforest colours as possible!), Great Grandfathers waistcoat (worn inside out because I think the shredding aging lining is beautiful), Thrifted sheer sweatshirt, Club Monaco floral shirt, Thrifted saturated print skirt, Issey Miyake Fete triangle pleats trousers, Alejandro Ingelmo Woosters, Traditional Mexican scarf, Paul Smith x Lola raffia brooch, Vintage elephant necklace, Rope bracelet from The Brooklyn Flea, same RL scarf and cuff as before and a vintage bag also from The Brooklyn Flea

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Day Five - Another School Day

"Ok so this is a very heavy outfit. Heavy on the heavy, heavy on the earthy warm colours and heavy on the Haat (yes another Issey brand...)."

Issey Miyake APOC cutout jacket, Thrifted Ports 1961 red mohair jacket, Haat african textile dress worn as a jumper, +J blue shirt, Haat folder trousers, well loved Chucks, Haat necklace, Charity Shop tie

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Day Six - Upstate Excursion

"Another outing for one of my favorite jackets, visiting the real world of Upstate New York. Wore a hoodie to fit in more… This is my version of practicality: Boots, shorts 'n leggings (for movement), flannel, you get the picture. The photos were taken by my friend Autumn Seguin of The Memory Mine."

Issey Miyake APOC cutout jacket, Random hoodie, Uniqlo flannel shirt, Uniqlo Henley, Zero + Maria Corenjo fold shorts, +J leggings, Yohji Yamamoto x Dr Martens, Vintage Dooney & Bourke bag

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Day Seven - Supermarket Sweeper

"Yes. This really is what I wear to grocery shop."

Cos zipper sweater, Richard Chai cashmere sweater, Thrifted flannel shirt, Haat skirt, Thrifted Laura Ashley skirt, Margiela sneaker sandals, Pierre-Louis Mascia scarf, Guatemalan cross-body bag.

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Hannah Martin: The Man Who Knows Everything Shoot

Towards the end of last week, I detailed Hannah Martin's triangulated launch of her fifth collection, The Man Who Knows Everything. The awe inspiring installation at Dover Street Market, an exclusive fashion film and a unique augmented reality experience all combined to create a truly memorable experience. It allowed as many people as possible to try, play, ponder and marvel at her precious creations. Having enthused over the launch, I'd now like to take a little more time over the designs themselves and share the stunning look book with you all.

 

As previously detailed, the character that this collection is based upon is the Comte de St Germain. Ordinarily the designer dreams up her characters but this alchemist has popped up at various points in history. The Comte was the original International Man of Mystery. Seemingly unplaceable and untraceable and utterly intriguing. An eighteenth century European aristocrat of unknown origin who had no lack of resources and moved in the highest social circles. He hobnobbed with Marie Antoinette, Catherine the Great, Voltaire, Rousseau, Mesmer and Casanova. There are many stories spun around this elusive character: he always appeared forty years old, popped up from time to time after his official death to make spot on prophecies, he could transmute matter , and spontaneously teleported to distant locations. Some considered him to to one of the hidden immortals who manipulate history and an 'Ascended Master.' This fifth collection from Hannah Martin is a visual dedication to this man beyond time. Beyond scientific limits. A balance of the highly modern and unspeakably ancient. The collection, delirious and drenched in blinding lights, reflects the intensity of Hannah’s latest exploration of narrative masculinity. Here, she presents a range of hyper-real, shamanistic jewels that seem to tell the unspoken tales of the Russian Tsars, secrets from within the courts of Louis the XV. These photographs by Joss McKinley shot at the stunning Lullingstone Castle in Kent explore this shadowy, otherworldy collection quite beautifully..

Credits

Photography Joss McKinley

Styling Anders Solvsten Thomsen

Grooming Dorita Nissen

Hair Takeshi Katoh

Model Jose Wickert at AMCK models

Production Nathan Morse

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Throughout her fifth collection, Hannah Martin pushes the boundaries of her craft while  intricately weaving her narrative within each covetable piece. Here, intensely coloured stones are mixed to hallucinogenic effect upon structures that find their source within constructivist and monumental architecture. A heady cocktail of neon rubies, emeralds, fire opals, amethysts, sapphires are offered sobriety with cleanest white diamonds. White, yellow and rose gold is used for the first time together in this tale of mysticism whilst signature black rhodium gives these radiant combinations their grounding. Of course, the real focus of this series is the shaman's triangle. Visually prevalent in Masonic circles, this geometrically perfect shape has been elegantly skewed by the un-wielding power of the Man Who. The ancient symbol of esoteric power has been finely mutated into an iconic piece of sculpture. Intricate lines that are fine and graphic are picked out with sharp edges and vivid stones. This triangle is formed within necklace, pendant, earring and cufflink and of course in the centrepiece, the pyramid ring. Simply magical.

Hannah Martin's The Man Who Knows Everything

Hannah Martin's The Man Who Knows Everything.

With a prestigious Central St Martins design education and a handful of awards behind her, it should come as no surprise that Hannah Martin is shaking up the world of luxury jewellery as we know it. Her luxurious and decadent collections are described as ‘jewellery for men, that girlfriends will steal’ and if I had a piece in my possession I would certainly sleep with one eye open from fear of Susie pilfering it. Each time I see her well crafted designs I am utterly blown away. Well this evening, he London based jewellery designer managed to trump everything that has preceded it. For her fifth collection, entitled The Man Who Knows Everything, Hannah has launched with an awe inspiring installation at Dover Street Market, an exclusive fashion film and a unique augmented reality experience that allows fans to wear one of Martin's creations in virtual reality. A triangulated launch that will blow more minds than just mine.

The character that this collection is based upon is the Comte de St Germain. Ordinarily the designer makes up her characters but this alchemist has popped up at various points in history. In fact, the infamous Comte de St Germain appears throughout history across the 18th, 19th and 20th centuries. In each account he remained the same age, always impeccably, yet simply, dressed to fit with his transient surroundings. His only remarkable refinery was the bountiful precious stones that adorned his hands, set into buttons, which covered the buckles of his shoes, and filled his travelling cases and trunks.

"He is supposed to be an alchemist, someone who can obviously live forever because he has been noted throughout time and always described in the same way. When we began researching him on the Internet there are some people who think he is still around somewhere. With this in mind I wanted the collection to be both ancient and super modern."

Hannah Martin on the Comte de St Germain

Now, the challenge the designer always faces is telling the story of the collection in a way that people can experience and understand. The narrative of this collection might be less specific than in previous ones, but it is certainly more mystical and the designs themselves deserve a grand scale. So, the Hannah Martin team devised a triangulated launch that allows as many people as possible to try, play, ponder and marvel.

The Euphoria of Lights encased in Waldemayer's obelesque

Firstly, the Dover Street Market Installation that I was fortunate enough to explore this evening. for myself. For the next two weeks, this installation, designed in tribute to the man who can seemingly travel time, is the main focus in Dover Street Market’s infamous ground floor window. Moritz Waldemayer, the great unsung hero of the design world has offered his pioneering eye for light and monumental structure and created an imposing yet elegant obelesque thanks to the craftsmen of Corian – all focused on a single ring taken from this first series within the fifth narrative, the Euphoria of Lights - the Comte's Pyramid Ring. A cage of lasers (yes lasers!) surround the special piece and when interrupted by wanting hands, the lasers let off different sounds, allowing visitors to create their own soundscape as they reach for the ring. This multifaceted presentation takes you from reality to the fantastical and back again in a disorientating manner. It is a real feast for all of the senses. If you are in London over the course of the next two weeks you have to experience the installation for yourselves.

However, thankfully this is not a London centric launch. Those of you who live outside of the capital and beyond can all still experience the collection's unveiling thanks to genius minds of Holition. Leaders in creative ‘augmented reality’ for luxury brands, this Curtain Road based company have partnered on this unique event and have brought the future closer by offering an international audience the ultimate shopping experience where they can virtually “try on” one of Hannah’s definitive pieces and experience a little of the Dover Street Market magic...

Download A4 PDF to cut out your own ring.

Wear the Comte's Pyramid ring in a virtual reality.

As much as the launch installation was jaw droppingly amazing it was busy and dark and altogether not very conducive to this blogger's snaps. Thankfully, the talented folks at Showstudio have created an installation video...

The Hannah Martin installation at Dover Street Market, 17 March 2011 shot by Zoe Hitchen for Showstudio.

Now, Hannah Martin is used to challenging the craftsmen of Hatton Gardens with her architectural designs but now she is turning her attentions to exploring the possibilities of online. Anyone can now download an application and cut out their own ring for the opportunity to engage with Hannah’s most pioneering work to date, and try on this definitive piece of jewellery from the comfort of their own home in the process. The difficulty always faced lies in demonstrating the tactical nature of jewellery and in telling the story of her narrative rich designs, with the help of the geniuses of Holition, Martin has done just that.

Menswear Installations AW11: Bunney

Bunney's table at the NEWGEN MEN and Fashion East Installations.

As previously discussed, jewellery line Bunney was launched after its creator was drawn to the idea of coming up with something everybody or anybody could wear...even nervous individuals like myself. Andrew Bunney longed to create objects that look like something one may be used to yet recast in a new light with precious metals, becoming new, yet at the same time, familiar. Ultimately, he wanted to make something precious that anybody could use. Over the course of a few seasons, he has been quietly navigating an elegant and refined men's jewellery offering that have grabbed my attention and left me experimenting. Seeking out the last bastions of British craftsmen and learning all about their trade. This season, I have had two opportunities to inspect the latest additions to the lineup including the beautifully crafted series of padlocks, a well defined lucky rabbit's foot and a Gallic makeover given to the studs. The Showroom Next Door provided the first opportunity and this was quickly followed by Bunney's addition to the exciting design talent showcase that made up NEWGEN MEN and Fashion East's Installations. Despite the hectic nature of Menswear Day, the latter afforded an opportunity to speak with the man himself and to learn more about his well crafted additions... 

Bunney's jewels on display

SS: Your offering has evolved from a single item to something of a magpie's haven. Could you talk us through the latest additions?

Andrew Bunney: I started Bunney with the simple idea to make something precious that anybody could use. This season I've investigated padlocks, charms and chains. I want to grow the line steadily, and try to keep coming up with something unique and exciting.

SS: The Padlocks were inspired by the practice of Love Padlocking in Paris and beyond. Where did you first encounter this practice? What was it about them that resonated with you?

Andrew Bunney: It was Paris where I first saw this idea. Talking to people these past few days at the showroom, I realise a lot of people that have seen these locks were excited to encounter it for the first time too. Instantly I was drawn by the spectacle - a huge array of padlocks, most bearing some kind of inscription, attached for the length of the bridge. Thinking about it later, the idea is really very special. Someone took this common, ordinary item, and by appropriation gives it a different purpose and meaning. I like how it has become a new kind of symbol for a lot of people. I also like personalisation, and the idea that someone would engrave the silver-lock with a message in a similar way to those attached to the bridge is very appealing to me. It speaks of a time when people used to personalise more of their possessions.

A closer look at the studs

SS: Now, I know that these items were a long time in the making. Could you tell us the story?

Andrew Bunney: For me, there are a few things which make jewellery quite different to clothing. Firstly it is the value in the materials used, secondly the longevity of the pieces - it isn't unusual for things to last for generations! Thirdly, the idea of the gift is very important.

I decided that it would be very special to create padlocks in precious metals, and I looked to see if anyone was making anything like that. It's quite common to find small charms, but never anything that really works as a lock with a key and mechanism. As I researched more about locks, I realised how important an object it was to the UK. Once upon a time, when Britain was growing an Empire, a small town outside of Wolverhampton called Willenhall was charged by Elizabeth the 1st to make locks. Yale, Squire, Chubb, all these companies that you see on your front door all came from this one town.

I started talking with a Museum to see if anyone was still handmaking locks, and I became really fascinated when I saw how traditional hand-made padlocks were put together. In some ways it looks very simple, which really added to the charm. Through a very long process I found what I believe to be the final locksmiths working, a father and son team, that can create an object like this although they had never tried anything as small or in these kind of metals.

A closer look at the Old English Padlocks

SS: These certainly aren't your average padlock. Could you talk us through some of the processes?

Andrew Bunney: Once the sizes were decided, I had locks made to the specifications that I wanted. The locksmiths had to develop the internal workings, and when that was ready it went to one of the workshops that I use to work out how best to construct it in silver. The mechanism cannot be silver because of durability, but everything else is. The style is known as the 'Old English Padlock', and this is very much the traditional English shape.

SS: What has been the locksmiths reaction to your pieces?

Andrew Bunney: The Locksmith isn't a trade that receives a lot of attention, and they aren't normally making something known for beauty, so possibly bemusement at first! But as the work progressed they understood more and the attention was really appreciated. It's actually very remarkable to see what they can do on a day to day basis - opening locks that have long lost their keys and making replacements, restoration work for Buckingham Palace, very unique problem solving. Converting it to silver isn't straightforward, so again it took a lot of patience.

The beautifully carved paw. Yes, you've seen this image before but I love it so.

SS: Onto the lucky rabbit's foot. The detailing is remarkable. Firstly, what inspired this piece? Secondly, how did it evolve in to the stunning piece we see today?

Andrew Bunney: The Rabbit's foot is seen as lucky in many cultures, and for many years. Today I think it is known as a popular symbol or charm used by bikers - you can often see them with white ones, or sometimes dyed bright colours too. I see it as a natural fit or emblem for Bunney, something that anyone can wear.

I had wanted to make a chain with no clasp at the back of the neck so it could fit anybody, and I wanted to have charms that people could wear with it. I designed a chain that has clasps to hang items from, rather than to attach together. This time I have a small padlock and the Rabbit's Foot.

The paw or foot itself has been carved by an artist in London that specialises in making sculptures of animals, and so he worked from his studies and an original biker-style rabbits foot. The foot is cast silver, and a polished cap is added.

The Tricolor Flag studs

SS: This season the studs receive a decidedly French makeover...

Andrew Bunney: Because this season the theme came from the Paris Love Locks, I thought it would be nice to make studs to reflect the Tricolor Flag. These are made with stones and then set in a silver mount - it's an update from the styles I made for Soph/Uniform Experiment last year.

SS: Finally, what's next for Bunney?

Andrew Bunney: To make new things and expand gradually. There are a few things I'm thinking about, but you'll have to wait and see!

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Showroom Next Door For AW11

For the last three seasons my London Fashion Week has begun with an elongated visit to the ever fruitful, Touba Distrubution curated, Showroom Next Door. Why should AW11 be any different? So, before I was seduced by the charms of b Store's reimagined, My Own Private Idaho inspired functional menswear whilst nodding along to the sounds of Blood Music (more on that later), I explored the latest Showroom. Spread over two floors on Grosvenor Street, the space has once again became my dream walk-in wardrobe. 

The Showroom space exemplifies everything that I find exciting about menswear design in London; namely it's diversity and constant sense of sartorial evolution and revolution. This season is is no different. In fact, I'm pleased to say that it has managed to improve and grow further. Fode, Yuko and Trevor strive to showcase a diverse collection of international designers but above all seek to provide a platform for both established and exciting new British talents. The AW11 lineup reflect their hard work and passion. Casely-Hayford, Mr Hare, Mohsin Ali, Armando Cabral, H by Harris, Chauncey, Hannah Martin and Bunney read like a who's who of men's fashion. These are undoubtedly exciting times for menswear and I'm so pleased that there are platforms like the Showroom Next Door that help to showcase the obvious and abundant talent that call this capital of ours its home. Over the course of the coming week, whenever I have a spare moment, I will locate myself in these inspiring surroundings and speak with each of the designers in turn for more in depth posting. However, whilst the initial excitement bounces around inside of my enthused brain, I have to share my initial thoughts on the highlights of the season...

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Chauncey

Chauncey is a Brussels-based menswear label and combines the talents of designer Nathalie Bouhana and her photographer partner David Sdika. It is a relatively recent discovery for this blogger but it is a label that I've been hearing an awful lot of good things about so it is great to finally be able to marvel at it in person. Having previously designed knitwear for Hermès, Salvatore Ferragamo and Anne Valérie Hash, Nathalie certainly has an eye for luxury knits. Creative, minimalist but exclusive, Chauncey prides itself on European craftsmanship. Aside from the rich colour palette there is no eccentricity, just quality and modern design. Extreme precision and the highest quality yarns and manufacturers. An "elegant gentleman traveler" look with a slice of Belgian surrealism. These are knits that your skin longs to touch.

Unsurprisingly, I'm particularly fond of the polka dot number in grey.

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H by Harris

The H by Harris label heralds the new school in desirable contemporary accessories. Harris designs aptly uses the term 'luxury fatigues' to define his unique style. Regular readers will recall that the debut H by Harris collection comprised itself of two lines, the Q hand quilted nappa leather and the SH wax hide leather collection. Both left me wanting to sell an organ or turn to a life of crime just to have one hanging off his arm. Since then, Harris has slowly but surely added new styles to covet.

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Hannah Martin

With a prestigious Central St Martins design education and a handful of awards behind her, it should come as no surprise that Hannah Martin is shaking up the world of luxury jewellery as we know it. Her luxurious and decadent collections are described as ‘jewellery for men, that girlfriends will steal’ and if I had a piece in my possession I would certainly sleep with one eye open from fear of Susie pilfering it. The look is elegant yet decidedly rock n’ roll. Each time I see her well crafted designs I am utterly blown away. Every collection has a strong narrative and I cannot wait to speak with Hannah to hear all about the character behind the latest offering.

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Bunney

Andrew Bunney longed to create objects that look like something one may be used to yet recast in a new light with precious metals, becoming new, yet at the same time, familiar. Ultimately, Bunney was drawn to the idea of coming up with something everybody or anybody could wear...even nervous individuals like myself. For the last few seasons, he has been quietly navigating an elegant and refined men's jewellery offering that have grabbed my attention and left me experimenting. The Bunney offering has evolved from a single item - a large size silver pyramid stud which came in a set of three to something of a magpie's haven. For the latest season, the fruits of his search to create series of padlocks can finally be enjoyed. Inspired by the practice of Love Padlocking in Paris and beyond, Bunney sought the last bastions of British craftsmen to create his precious padlocks.  

A beautifully crafted lucky rabbit's foot. The ideal way to mark the year of the rabbit.

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Mr Hare

Oh Mr. Hare, how much we love you and your creations. The brand has been close to our hearts the moment we heard that our favourite shoeist was creating something out of his obsession. Since then, the brand has deservedly gone from strength to strength. His fine leather creations can now be found across the world in an expanding selection of much loved retail outlets, from Selfridges to Colette to Beams. In his continued quest to dominant the world of shoes, Mr Hare has unveiled his latest collection and there might be a few surprises. Given our affection to the brand, I will merely tease with a few looks before going in to great detail with the man himself very soon.

Beautiful boots, subtle branding (check out the four hares and a swan) and even a Vibram sole. Stunning stuff from our favourite shoeist.

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Casely-Hayford

Now in its sixth season Casely-Hayford is undeniably forging a new handwriting of modern English style and here they serve up a huge collection. The father and son design duo have created a signature style of relaxed masculine proportions and exquisite tailoring, all the while fused with an injection of the raw energy of London's dynamic culture that constantly inspires them. With each season, the design duo begin with the desire to capture, play and experiment with the duality of English Sartorialism and British Anarchy. In creating a new collection their driving motivation is to capture the feelings of an ever-changing environment and to communicate society's natural inclination to move forward. The clothes start from a traditional stand point, but rather than being nostalgic and whimsical, they choose to reflect the spirit of twenty first century gentleman - a character conscious of many reference points yet someone who chooses to distill his style into a concise statement. Things have moved on since the days of the Duke of Windsor, and although he is a great inspiration and a foundation for the brand, the modern sartorialist has a different appetite. Their requirements, desires, and practical needs are frequently drawn towards a synergy between the formal and athletic. For this collection, the duo include the requirement and need of protection and comfort against the elements. This sartorial cocktail runs throughout the outerwear, tailoring and accessories. There is always a narrative at the core of what they do, connecting each collection to the last and making foundations for the next. 

As always, the collection is designed in London and made in Japan. Fine English fabrics are combined with the signature House cut and Japanese artisan construction to create a unique design statement and commitment to enduring quality.

The fabric combination are always a delight. Each item is full of details. I could literally spend hours closely examining the contents of each rail.

With a collection taking up over three rails of Showroom space, Casely-Hayford now offer the complete wardrobe. But that is not enough. Now, we have some exciting news to share. The design duo are launching their first luxury sneaker for AW11. The house have created a new streamlined Hi silhouette on a unique last with a modern minimal aesthetic. The sneakers have been designed to compliment the relaxed masculine proportions of fine tailoring and jersey suiting that the brand has become renowned for. Premium grained leather and fine quality suede trim dominate the upper, set on a sole crafted from a unique vulcanised rubber that will undoubtedly become a defining feature of the signature Casely-Hayford Hanbury sneaker. These will be available in select stores from July 2011 but here's a sneak peek...

The Hanbury will no doubt cause a flutter or two.

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The Showroom Next Door is an inviting and vibrant place where fashion, art and craftsmanship collide and can be appreciated side by side. If you are in town and have a spare moment, please do drop in. However, do not despair if you can't it in yourself, over the course of the next week I will be enthusing over the highlights in detail. In the meantime, I'm off to bed and long to wake up with the Showroom as my wardrobe.