![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkztpE0g75YOJlPcOdsy5ozACgyw8j_Mawa211_SKVaM8qAudMWH2R5mc9qT8MSdncoLxsVwXZEy4iyUGvbH3gxsiG8fH49Izu4fdScbUBpj8Y9FA7fx9FPYmznI6WiWtPzA34yNNnTkK9/s400/HappySocks_mix.jpg)
Friday, October 31, 2008
Happy (colourful) Feet
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkztpE0g75YOJlPcOdsy5ozACgyw8j_Mawa211_SKVaM8qAudMWH2R5mc9qT8MSdncoLxsVwXZEy4iyUGvbH3gxsiG8fH49Izu4fdScbUBpj8Y9FA7fx9FPYmznI6WiWtPzA34yNNnTkK9/s400/HappySocks_mix.jpg)
Thursday, October 30, 2008
Left feeling cold by wise words
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTBd9cfMOX4dJRcSQdFckP1Qd824VwwtugjUuqE8MUKmo5O_vIfHKUbn6LblH2e9QvymAbJ3dBSeGFCTosN3AIdn0il0oi26fY1sjaA7zMPe7e7Mu-Ya5MPosgEAzYEjSM0VqzRUvLsai4/s400/James_Long_aw08.jpg)
Designers talk about the world of tomorrow
My favourite illustrations on show...Browne, Simons and Yamamoto
Here is a summary of what the designers had to say...
Dries Van Noten - "There may, in parallel, even be a subtle slide toward the conceptual."
John Galliano - "Fashion has an insatiable appetite for change, for the new and for the innovative. Anything goes, as long as it's exciting."
Wednesday, October 29, 2008
Style Salvage's Tony Hart Moment
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisYI01Hcy8GhVl5ns8imQoCKT4ZYMg7y_r2Nbk5BAUo-oODoxD8q499xE23ZmGHXZ08xEIOzOeo6M-msSCGw1RsdteL9UlDf5KtJQUhs603mpPe9fTbl7OAH6HzrSy6JnlzFe9FvVjzVVX/s400/IMG_7892.jpg)
TheJournalofStyle
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-JF_E5S5b2dWAoi9FbTgmouvyndtSJlxLexU5NigEin0hyphenhyphend3JClhq5M6M91FXxVsjaYNJA-Flwfdklg1xsacyK448ghCfHPhSdk3AHVG0mdxNyPNpgzu9vK3I8Mibc3EWdI-fcm4HmYI3/s400/giancinephile.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6_V_y52L9GBA_rUotHjsz1DyNp3gJZ870mSMkP5XmxweSYvBkD3P09Kq0ZJNMIoLrAtaopyr67DXCkIslKyF_N2rAc5OQZiFbE8EwDrKjZZ3OMIKT-16xwMdAUNMvx-ZL75UkqfPBTgss/s400/Fuchsia1.jpg)
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Did you pick up a pencil? If you did, please let us know!
Tuesday, October 28, 2008
Picture postcard: commons gold
Dear Steve
I was making a cursory search of the commons on Flickr and came across this chap. Don't you think he's the most wonderful man you've seen this week? I was initially drawn to this photograph by his mustache (naturally) but then I was gripped by his gaze and his slightly furrowed brow. His hair is fantastic- it almost seems as though he's sporting a quiff... though since this picture was taken c. 1915 that seems unlikely. If that flower in his lapel doesn't persuade you to sport a buttonhole of your own (and not just your poppy) then I don't know what will.
EJ
x
P.S. Blog admin type stuff: follow the blog with bloglovin´, try out the search function on the sidebar and keep up to date with our posts and ponderings on twitter.
Thanks for sharing this chap with us EJ! he is absolutely awesome. Everything about him is perfect and he sets the style benchmark for any middle aged gentlemen, I want to be him when I grow up. His gaze would ordinarily be quite frightening but because he is so well turned out I see it more as a look of contempt. I heart him.
Denim Shorts at Stuart Semple's Denim event
Kawakubo on her collaboration with H&M
"The collection is constructed around Comme des Garçons' style. Rather than aiming to make clothes that no one has ever seen before, it is very much Comme des Garçons goes [back] to its roots." Rei Kawakubo
As the article points out, there is always a danger within any designer-high street collaboration that it might detract from the main event, causing customers to buy into the more reasonably priced line at the expense of the original that inspired it. However, by reverting to classic pieces, Kawakubo has ensured that this will not be the case. In fact, it is more likely that by working with H&M she will bring a whole new customer into her own, more rarefied fold.
Now that you have seen the collection and had a chance to read the thoughts from the designer herself what do you make of it all? For me personally collaborations can only be a good thing. However, I still have my doubts about the quality of the garments but that is become of my deep rooted scepticism of H&M fabric choice and garment construction (buttons should not be missing from shirts which are still on the rack!).
Monday, October 27, 2008
Buck - First Issue News
Chase is the VMAN but Testino Takes Over
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_omQ75H62smzdL2LOgKFY4zndOEAEGmcSq9R1_kwAz7GZbcI7HSWnne0TjHicPvQwS81w_LVOwSvSsD8MDTkN27SN2GzCXn7PQRHUrp0no9rLXn_SuO6wE1e8Uwz525pmm_2CmmXl1wlW/s400/VMAN_Issue12_Chase_Crawford.jpg)
Sunday, October 26, 2008
Is the thin man redefining fashion for his generation?
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Waiting for winter to be born
P.S. - Judging by her latest collection I think we should petition for Sandra Buckland to try her hand and knitting needles at menswear.
Saturday, October 25, 2008
Daniel Jenkins on British Mens Fashion
Ms Kennedy is right, there was a good balance – although wool in July is never going to be a winner - but three labels and Topman design does not a fashion week make. The idea of a men’s fashion week in London is something I don’t believe I’ll see in my lifetime. The menswear could presently be fitted into one day. What a fine day it would be, but, it’s not enough! The New Gen programme has worked well for womenswear and poses interesting questions about menswear. Far too many labels are allowed to gather a head of steam then left to crash. I understand the 'why should we help people?’ argument. No-one helps retailers etc but if we aren’t careful we will lose our brightest and best talent. Rachel Sanderson in the International Herald Tribune writes about the shift away from British manufacture, stating that labels have decided that being able to put 'made in Britain' no longer has the cache it used to and that the problems in the global economy force them to construct their garments elsewhere. This is something I often chat with customers about. Most are quite informed about where something comes from and we’ve found as a business that those labels that are made in the UK tend to do quite well for us. Satyenkumar is quite a good example. We’ve had a number of repeat customers who have commented on the fact that everything is British and made in the UK. The use of British fabric again is important.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDFQQSnCO8Tx9qPNu1UUXZ7AOiiHEk9QqNOmBEux8ytihGlOlCXvf2-rXtknV4GH-yjhGgoFkXXS_mCfXryVM3VIRFB-r3UjeAJyz-g9eVTi5cjdqZ8C4MdRpWrq4fl64SR3YS9dpq6y9M/s400/British+Style+Genius.bmp)
If you missed the Tailoring show - go watch it on iplayer now!
In France the FFC was set up not only to deal with the organisation for Paris Fashion week but also to protect the interests of French fashion. We have the BFC in this country that aims to do this. It’s created an interesting dialogue with the media regarding the size zero debate. Yet we hear very little from them about British menswear. I’ve certainly never spoken to anyone connected with the organisation. Of course there are organisations such as the CFE (Centre for Fashion Enterprise) which offer government backed help. but this only goes so far.
Jonathan Saunders in an interview with Style.com stated that he and the other stars of his generation quickly realised that you needed to work on collaborations and for other companies in order to further your own business. MAN does a wonderful job of bringing the industry together and celebrating menswear through the show and party, but there is only so much they can do. Once fashion week is over we seem to be left to our own devices. Constantly I hear that British Fashion is a multi billion dollar industry... given that according to Robert Peston of the BBC the world should end sometime next Tuesday shouldn’t we do something to make sure that we safeguard it?
In more trying and testing economic times the maxim was always that people dressed better, stopped buying disposable fashion and moved towards items which would last and wear well. This has always been our maxim. Trying to offer something a little different to the customer. Limiting the chance that they will see 5 men wearing the same outfit while out and about. This is what the British male who is interested in fashion strives for. Limited edition releases and hard to find products will always do well. Sir Paul Smith (my hero) summed it up quite nicely last night when dealt with the topic of other nations being better dressed than us Brits. He said “the Italians are extraordinarily well dressed. Yet there is very little individuality in the way they dress... In Britain we have our own character and we dress to fit our character.” British fashion is incredibly important. We created most of the prevailing trends of the last 200 years. Constantly we are at the forefront pushing new ideas without losing that sense of British identity in our cut and drape. Raf Simons – the nearest we currently have to a genius in men's fashion - is constantly influenced by British fashion and our youth culture. Wouldn’t it be a shame to lose that sense of craft in order to push fast celebrity fashion?
Thursday, October 23, 2008
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