Happy New Decade!

Happy New Year my stylish friends! We are out and about again and hope to bump into you somewhere sometime, soon.

Exclusive: Casely-Hayford SS10 Look Book and Interview

The Casely-Hayford duo applying the finishing touches to their wonderful offering at Menswear Day.

Before the festive break we mentioned that we would have an exclusive gift for you on the 29th and right on time, we can now deliver our late Christmas present to you....the first look at Casely-Hayford's SS10 look book along with an interview with our favourite design duo. One of the real highlights of the extended Menswear Day back in September was Casely-Hayford's collection entitled Kings of the Kings Land. Inspired by the raw energy of Kingsland Road (where their studio is based) they unveiled a new style tribe, the 'Afropunk.' For the benefit of those who live outside of London, this seemingly unique and unconventional corner of the city is where original EastEnders co-exist with the more recently landed public school boys. This incongruous social mix conjures up a rich sartorial vocabulary which the Casely-Hayford's have used to create a new English style.

The first look at Casely-Hayford's SS10 look book.

Steve left the Fashion East Menswear Installations inspired by what he had seen but was impatient to learn more about this collection in particular. With this in mind, we caught up with Charlie and Joe to talk about the collection in more detail and to find out about their exciting plans for the year ahead whilst revealing their SS10 look book for the very first time...

A new form of sartorial mix. English Wedgewood style fused with Turkish Ottoman prints.

SS: The collection was inspired by the sights and sounds of Dalston's infamous road, Kingsland Road. What is it about this part of East London which makes it so special and so inspiring?
Casely-Hayford: We've always been interested in the idea of 'the trans-cultural' - an enriched summation of many cultures to create a unified whole, forming a sartorial mix which is unique to the UK and possibly at it's most direct in London. For us, this area of London perfectly captures the spirit simply by walking from one end of the Kingsland Road to the other. It is possible to experience some of the worlds most prominent cultures, and we wanted to echo this mood in our collection. We are excited by the way that new conclusions are drawn from this cultural fusion.

The English DNA of the brand is fused with the colour and ornamentation of beautiful prints and hard-egded far-eastern embellishments.

SS: Your first two collections have seen you fuse elements of traditional English tailoring with facets of sportswear and this one sees you continue this sartorial cocktail with the unexpected addition of African elements to the mix. Do these combinations reflect the two of you in anyway, or perhaps the interchange and evolution of your own aesthetics?
Casely-Hayford: It wasn't so much the African element that initially enticed us - it was the similarities between the powerful youth culture of London Punks and the age-old aesthetics of traditional tribal wear. The synergy between the two seemed interesting and relevant to an emerging subculture that was as of yet undefined. We were able to retain the English DNA of the brand whilst fusing it with the colour and ornamentation of these beautiful prints and hard-egded far-eastern embellishments.

A unique combination of the delicacy of the Casely-Hayford aesthetic mixed with the raw energy of the anarchic youth created a trans cultural sartorial punk that we came to define as the 'Afropunk'. All the essential Casely-Hayford elements are still central to our statement, we are simply introducing another facet.

We have spent a lot of time discussing how we define culture and both agree that it is something which is not static. For each generation there is a defining point. We felt that with this collection we could begin to touch on an aesthetic shift from one decade to the next.

Introducing the Afropunks

SS: You unveiled the 'Afropunk', as part of the extended Menswear Day at LFW, how has the reaction been to your new style tribe? And did you have a chance to enjoy the day at all?
Casely-Hayford: The reaction has been overwhelming! We didn't really expect it. It's funny that through making a stronger visual statement we seem to have connected with a wider audience. People have been keen to embrace our vision. The Casely-Hayford sartorial mood prevails but through countering cliched notions of luxury we have been able to celebrate fine craftsmanship in a modern context.

It is always difficult presenting a personal statement to the public where the designer's intention transcends the power of the viewer's interpretation, but throughout the day we were pretty surprised by the positive reaction we received from a wide and diverse range of individuals.

Rather than doing a runway show, from the very beginning we made a decision that our seasonal statement would be in the form of a selection of images that reflected the brand identity. We are interested in creating something for the few, rather than reaching out to every man. Last LFW was an exception that appealed to us because it was the 25th anniversary. The Menswear Day was significant in finally creating something credible for buyers and press in London that wasn't dominated by womenswear.

Relaxed, luxurious tailoring... English Wedgewood style.

SS: The moment Steve walked in to your space inside Somerset House's East Wing, he was struck by how meticulously styled and cast the collection was and this has been continued through to the look book. Do you enjoy the styling aspect? What was the inspiration for the ornate embellishment of Turkish prints?
Casely-Hayford: I think there are very few designers that style their own collections. But it is a major part of the process for us. There's such a strong narrative behind each garment, the story would be incomplete if the stylistic vision was not carried through with exacting measure. We felt that the ornate patterns formed the perfect cross over point between English Wedgewood style and Turkish Ottoman prints.


The "hankersleeves" featured in the look book and presentation seem to have caught a lot of people's attention. We were looking at tribal notions of beauty and wanted to utilise the metal hoops that various African tribes use to elongate areas of their body such as the neck and arms. We used colourful hand rolled silk handkerchiefs from Suffolk to anglicise the look and make it our own.

A closer look at the much talked about 'hankersleeves'.

SS: 2009 has been a huge year for Casely-Hayford, what have been the highlights for you both?
Casely-Hayford: It's been an amazing year. Being approached by several top international retailers was a major endorsement of what we are doing. Collaborating with Swaroskvi on their first ever menswear project along with Lanvin and Phillip Lim has been really exciting... and working on this new project with John Lewis has been so fulfilling. I don't think there's been anything like it before - it's essentially a celebration of 'the Best of British' under one umbrella. Each season my father will be designing a complete wardrobe and collaborating with some of the most highly respected British heritage brands for John Lewis to create new unique garments. We received some of the samples just before Christmas and they look really strong. The first items should be in store from the end of February. Lulu inviting us to take part in London Fashion Week as part of Fashion East was obviously also another highlight of the year.

We are sure to replicate Casely-Hayford'd styling when the warm sunshine returns next year.

SS: What are you looking forward to in 2010? And...can you share any hints as to what you'll be showing in February 2010 and beyond?
Casely-Hayford: 2010 will hopefully be a year of greater international expansion for the brand. We've been approached by some interesting stores over the last few months who we hope to work with in the near future.

Autumn is a little darker and harder than previous collections, Focusing more on craftsmanship and quality... but once again pushing the boundaries of English sartorialism and British anarchy.

Two final looks at SS10 before we begin looking forward to the year ahead.

Trends In Scarves

The newest trend in scarves is the cowboy, square style scarf. It is Popular both among hipsters and fashionistas. Neck scarves were a big hit at the Dolce & Gabbana show. The cowboy style scarves usually have fringe or tassles hanging from them . The cowboy style look is very easy to achieve. Just fold the scarf into a triangle then simply tie the two ends of the triangle together at the back of your neck. muss the scarf a little so it looks full and not folded. The point of the triangle should be at the front of your chest and the ends over your shoulders.

The long scarf is a classic accessory to own in 2010. They are available in trendy fabrics and patterns . For winter choose long scarves that are colorful. Zig zag patterns.,tribal prints with fringe tasseled ends and textures are what are all the rage. long scarves can be looped around the neck a couple of times. Long scarves also make very convenient headbands.

Silky scarves are light weight and cool for the summer months of 2010. Bright colors worn especially in jewel tones and bright patterns look fabulous over jeans. The silky scarf can either be wrapped once around the neck or just draped casually over the shoulder.

The skinny scarf is the latest trend for 2010. The skinny scarf in neutral colors such as black, navy and beige with minimal pattern ads class to even a pair of slacks. All you have to do is tie a loose knot near your neck and you are all set to flaunt your style.

A scarf can be wrapped around the waist as a belt or around your head with sunglasses for a fashionable look.

Merry Christmas

Merry Christmas to you all! We hope the fat men in red brings you everything on your list and more whilst you enjoy some quality time with all of your family! Here's to taking a break from it all whilst eating and drinking far too much. So we will be taking a few days off from the online world but we will post again by the 29th and have an exclusive little treat for you from the good chaps at Casely-Hayford before the New Year. Eat, drink and be merry!

Merry Christmas to...me

Merry Christmas to me. My gift to myself, a pair of Harris Tweed Clarks Desert Boots sitting pretty under the tree.

Over the last week or two I have been running around central London on the hunt for the perfect Christmas presents for my friends and family. As you all know, this can be a quite traumatic time at the best of times but when you add freezing temperatures to the mix you have a foul tasting cocktail. Whilst dashing to and from work and around the shops I have fallen prey to the ice and snow. In fact I have tripped on my sorry behind no less than four times in as many days, bruising my forearm, arse and ego in the process. Oh woe was me. By Sunday morning I was feeling more than a little sorry for myself and turned to a spot of personal retail therapy for comfort. However, rather than succumbing to rabid consumerist hysteria I made an astute, practical and measured purchase, a pair of Harris Tweed Clarks Desert Boots at half price no less!

I was surprised to find a mini-boot keyring packed in with my boots.

To celebrate the 60th anniversary of the Desert Boot, Clarks Originals created six unique, new designs (three for women and three for men). t is amazing to think that these stylish staples were first invented in a Burmese military outpost by a young Nathan Clark. The original boots inspiration is a crepe soled boot made from rough, suede in Cairo's fabled Old Bazaar and it was soon the off-duty English Army officers footwear of choice. There are a plethora of different desert boots out there made by all sorts of names but why deviate from the original? To mark the anniversary Clarks Originals created a look inspired by each of the six decades that the Desert Boot has spent as an essential fashion item. As soon as the anniversary boots were released back in September my head was turned by the Harris Tweed, 1950's pair...

The certified mark of Harris Tweed.

For such a burly and utilitarian fabric, Harris Tweed evokes an a great deal of romantically nostalgic feelings and ever since I watched the recent BBC4 series Tweed (discussed here), I have been hooked on this very special cloth. As mentioned previously, the colours are deceptively beautiful. A Harris Tweed yarn will routinely contain seven or eight different coloured wools, which are all blended together and then spun to create an amazingly rich texture of colour and I'm afraid these pictures fail to do the cloth justice.

Harris Tweed Clarks Desert Boots worn red socks from Uniqlo and wool trousers from COS.

This a tweed still woven by pedal-powered looms in the homes of Scottish sheep herders out in the outermost fringe of the British Isles. It has been this way since 1846. I now understand the history and the provenance of the cloth. There is something quite special about the Isle of Harris, Lewis and that northern chain of Hebridean islands. The materials and the colours are redolent of the sea, and the grass, the rugged life, the farming. I'm so pleased that a company like Clarks has realised the beauty of the cloth. I believe that the end result is a fitting tribute to both the cloth and the desert boot.

It seems that I'm not the only one taken with my new boots...Patch (the patchwork tweed dog from Muji) has found a new friend.

Tailoring and tyrants

Over the last couple of months I have often found myself peering in to a store which had recently popped up on Ganton Street. The interesting space appeared to be well stocked with fine tailored goods but due to a combination of misfortune, poor planning and forgetfulness I've not been able to grasp the chance to explore inside. I've been meaning to check out the brand for some time since and thanks to a blogging nudge from Made in England, I finally have. I love nothing more than unearthing new (at least to me) brands and Social Suicide have to be one of my favourite discoveries. I love their AW09 look book so much, I just had to share it with you..

Kalashnikov rifle suits and Churchill's Great Coat.

The AW09 collection, entitled ”Dictators of Fashion”, draws style and structural inspiration from a series of 20th Century military and political heroes and tyrants. On first glance, the idea of a collection being inspired by such figures sounds most odd and misguided but when you think about the names involved it makes perfect sense. Winston Churchill, Franklin Roosevelt, Charles de Gaulle, Benito Mussolini, Nelson Mandela, Chairman Mao, General Kalashnikov, Malcolm X, John F. Kennedy and Fidel Castro. Now, these names might not appear as style icons but I am reminded of an old article in The Independent which put forward the ten suits that shook the world. The owners of these ten important sartorial creations included none other than Winston Churchill, Mao Tse-Tung and Malcolm X. This collection has forced me to rethink my style in politics stance...

Churchill's pin stripe.

Ten characters, Ten cuts, Ten stories; all with incredible detailing, beautiful handwork, leather trims and delicate embroidery. For me, the most iconic suit is Churchill's wartime flannel suit. The Independent article reminded me of that famous posed picture of the wartime leader where he held a Thompson submachine gun in one hand, a signature cigar in the other and was wearing an immaculate chalk-stripe flannel suit adorned with a bowler hat and spotted bow tie. They say a picture can say a thousand words, well this piece of propaganda just said two, "Don't mess!" The original suit was made by the Savile Row tailors, Henry Poole, with woven cloth supplied by Fox Brothers of Wellington, Somerset but the Social Suicide chaps have created two fine versions for the modern English gentleman. A three button, three piece suit with high waisted trousers. Made in a pure wool flannel with an embroidered cotton pin-stripe. It also features a sunglasses pouch top pocket with spring closure and a cigar pocket.

Churchill's iconic pin stripe.

If Churchill's pin stripe suit is the most iconic, Mandella's tuxedo has to be the most popular. It is very special indeed and is beautifully made in super 150s merino wool with cashmere and silk. The Italian silk lapel is forced into a large rounded chest with a single button a bit like a shawl collar...

Mandella's tuxedo

I love the asymmetrical leather trim detailing of De Gaulle's Sam Brown suit. A two button pure wool flannel two piece suit trimmed in Italian nappa leather. For those of you who like me are left scratching their heads as to what a Sam Brown is, well I will tell you...it is a leather belt that passes over the shoulder to suspend a holster. Therefore, the piped lapel mimics the strap over a shoulder. Ever detail works and provokes interest.

I think it fitting to end this look at Social Suicide's with a glance at Stalin's tunic. Few people wake up in the morning and declare their intent on channelling the style of one of the most powerful and and murderous dictators in history but this tunic might make you think differently. So, his regime of terror caused the death and suffering of tens of millions, but he also oversaw the war machine that played a key role in the defeat of Nazism and he had one hell of a coat! This0 three button Tunic coat in pure wool flannel is inspired by the one worn by Joseph Stalin at the Yalta Summit in February 1945.

Stalin's tunic.

It is worth concluding with the point that Social Suicide suits and jackets are all individually made from the finest fabrics to the highest standards. One man takes one day to make one jacket – no production lines, no corner cutting – and the fabrics used are of the finest and purest wools, silks, cottons and linens. However, the real beauty of a Social Suicide suit lies in it’s story telling and it’s detailing. The core of the brand is to create clothing with thought, humour and depth. I will certainly be popping in to their Ganton Street store next time I walk by...

Raising a glass

Tristan (left) wears three piece suit and white shirt by Jae Wan Park. Shoes by Church. Ring by Dominic Jones at Start-London. Richie (centre) wears velvet navy suit and white shirt by Burberry. Shoes by Church.

As the sore heads and tired limbs scattered around me indicate we have well and truly entered party season. Despite our sorry physical and mental state, we should all embrace this time of year by donning the finery we might already have in our wardrobes, whilst adding some bargain pieces from the High Street and online by taking advantages of the bargains to be had at sale time. Back in October I touched upon the idea that most of us have lost sight of how much fun it is to be well dressed. In an interview with SwipeLife Patrick Grant commented the following; "It seems like men are almost embarrassed to be well-dressed. It feels like it’s too much, or you’ve tried too hard." I think it is about time that such a belief is quashed and what better time than now? This is the time where we ordinarily drink, eat and do everything else in excess so why not have a little fun getting dressed. Now is the time to dress in excess to see out the old year whilst raising a drink in the clutches of a fur trimmed leather gloved hand to wave goodbye to 2009 welcome in 2010. Right on time, the ever inspiring Fashion156 have recently launched their Soiree Issue...

Sam wears shirt, purple longline jacket and trousers by Omar Kashoura.

Guy Hipwell and his team have certainly allowed decadence and excess to prevail in their latest offering. The fashion editorials, film (their best yet) and featured articles all capture my preferred aesthetic of the season whilst showcasing a plethora of design talent. Established names including John Rocha, Alexander McQueen, Burberry and Vivienne Westwood Man sit alongside emerging design talent emerging design talent including Casely Hayford, JW Anderson and Omar Kashoura and the pick of the recent graduates including RCA graduates Jae Wan Park and Bronwen Marshall. Marshall's opulent oand oversized furs and Hannah Taylor's fanastical knitwear actually steal the show. The dribble inducing spread of images showcase a new form of sensual dandy. Satin slippers and silk scarves suggest luxury whilst the colour is anything but bog standard black tie affair. At his pleasant surprise of the AW09 catwalk shows, John Michael O'Sullivan puts forward the idea that they marked a "return of debonair dressing - Lanvin’s satins and ribboned trousers, or Dolce & Gabbana’s Martini-quaffing playboys in woven silk jackets, dangerously reminiscent of dressing gowns - suggested a modern, easier, laid-back spin on the aesthetic." The AW09 shows undoubtedly reminded us that dressing could be merely for pleasure and this theme was picked up in September for the SS10 shows...

Alex (left) wears jacket, shirt and trousers by John Rocha. Matt (right) wears white shirt, trousers and fencing waistcoat by Alexander McQueen.

It was a pleasant surprise to see Casely-Hayford used in this editorial but their designs cetainly exude a new form of luxury. Inspired by the raw energy of Kingsland Road, Casely-Hayford SS10 collection represents a new style tribe, the Afro Punk. One of the main recurring themes of their collections is the fusion of classic, English sartorialism and British anarchy. In previous collections this manifested itself in a wonderful balance of formal tailoring and sportswear but for SS10, instead relaxed tailoring sits extremely well with tribal, handcrafted ornate embellishment. Now, there is no reason why we have to wait for the sunshine to return before splashing on some orante embellishment.

Sabine (centre) wears orange chiffon dress by Louise Amstrup. Grey suede shoes by Rupert Sanderson. Jackdor headpiece by Natasha Lawes at Luna and Curious. Sam (right) wears long johns. jacket and shorts by Matteo Bigliardi. Richie (left) wears belted mac by Raf Simons at Selfridges.

If you are still in any doubt as to what to wear to your next party despite Fashion156's guidance, my advice is always to look at Tom Ford's well constructed elegance. The Texan designer looks as though he escaped the womb wearing a dinner jacket and has perfected the art of wearing one ever since. Of course we all don't look quite as good as Mr Ford in black tie but we can but dream and take a few pointers along the way.

The evolving passion for shoes

The tools of a craftsman...photography by Euan Denholm

Now that the Christmas shopping has been completed, my thoughts have begun to wander away from my the present and I've started drawing up lists of things I need to do next year. Over the last twelve months I have developed a passion for shoes, an addiction even. It is just impossible to resist elegant, well fitted leather creations. After meeting shoeists like the chaps at Lodger and of course Mr. Hare I had a feeling that their passion would be contagious and it certainly was. I have documented my exploits in becoming a fine footwear consumer in recent months but now I'd like to take my own new found passion one step further...I need to learn more about the craftsmanship and observe each skilled process in the making of my favourite footwear.

Edward Green Falkirk 202 Last Burnt Pine / Edwardian Antique Made to Order shoes available from Leffot would complete my shoe collection.

After stumbling across the above pair of Edward Green made to order shoes one of the adventures sitting near the summit of my to do list is exploring the heart of English shoe country, Northampton. Edward Green is just one of the traditional yet still thriving men’s shoemaker based in this historic shoe producing town. Northampton is only an hour from Euston on the train and I think it will prove to be a really fascinating trip which I will surely make early next year. My exploration of English shoe country will begin with Edward Green and these images taken by Euan Denholm which document the Northampton workshop make me want to make the trip as soon as possible in the new year.

A craftsman at work...photography by Euan Denholm

In 1890 Edward Green began to make hand crafted shoes for gentlemen in a small factory in Northampton. Founded on the skill of his craftsman and his belief in excellence, he soon gained a reputation for making 'the finest shoes in England for the discerning few.' Today the high standards remain. Almost one hundred and twenty years later and they still hand make all of their shoes in their own workshop in Northampton. Every pair is hand cut to ensure they use the very best grain of leather. Some styles are even hand sewn with a pig's bristle. Each pair takes several weeks to make and many skilled craftsman are involved. Based on Jermyn Street, Edward Green has become discreetly famous for producing probably the finest Goodyear welted shoes. Instantly recognisable - an English look with definite international appeal. Stay tuned and expect a follow up post in January after I've visited the workshop myself...

Designer Salwar Kameez 2009 Collection

This beautiful Designer Salwar Kameez is an epitome of elegance and class. Kameez has intricate embroidery and sequins work spread all over the front panel.

Picture Postcard: Merry Christmas

After staggering back a somewhat broken man from the hell on earth that is Central London on the last weekend before Christmas my spirits were lifted when I visited my post hole. I had a day of mixed success as I partook in a spot of crazed, last minute shopping but thoughts of present opportunities missed were surpassed with a warm feeling inside when I opened a Christmas card from the good people of Norton & Sons. The festive greetings card is so nice I just had to take a shot the tailored scene proudly sitting in front of my gigantic Christmas tree...

The photograph by Guy Hills of Norton & Sons at the British Embassy Paris.

Over the course of the year I have discovered two historic tailors both of which fall under the fine stewardship of the charming Patrick Grant. Norton & Sons cut simple classically proportioned clothes in the finest British cloths. It is worth noting that unlike most on Savile Row every single garment that bears its name is painstakingly hand cut and hand sewn by the best tailors in London. We excitedly covered the resurrection of E. Tautz back in February as the sporting and military outfitters took its place in the extended MAN afternoon. Since its relaunch E. Tautz has deservedly gone from strength-to-strength (as mentioned in previous posts) and SS10 saw the launch of its second ready to wear collection which was accompanied by a marvellous short film by Quentin Jones. The label offers simple tailoring with a little something extra, a bit of pomp, colour, a sense of humour and a sense of eccentric Englishness. 2009 has undoubtedly been a fine year for both firms. I'm so pleased to have discovered them and look forward to what 2010 will bring.

On the...oh man it is so cold...day of Christmas

What a festive scene! Daniel Jenkins relaxing by the fire in his latest stock. Lou Dalton cardiganwool trousers complimented nicely with a pair of YMC F16 suede boots.

We have a real treat for today's advent calendar entry. Our favourite shopkeep in Monmouth and beyond, Daniel Jenkins has just received new stock from the ever wonderful Lou Dalton. We asked him to give us a few exclusive shots on his pick of the new stock and he has chosen something that will warm you up on this cold, mid December evening. This enamel button cardigan is part of Lou's exciting collaboration with one of my favourite Scottish knitwear brands, William Lockie. The piece is exclusive to Daniel Jenkins outside of Japan. Made in Scotland in extra fine merino wool and finished with English enamel and metal buttons. This is a very special cardigan indeed...

Detail shots of Lou Dalton's enamel button cardigan.

To find out more about this very special cardigan we caught up with the man with the perfect buying eye, Daniel Jenkins. "This cardigan is part of the ongoing collaboration between Lou and William Lockie - founded 1874. All items are made in Scotland from extra fine 100% merino wool. Two small pockets on front ribbing on sleeves and neck and finished with English Enamel Buttons (which are highly expensive). The garment will retail at £145 - which I think is a fairly good price. Items are exclusive to us outside of Japan - Beams have some William Lockie x Lou items but not sure which ones for definite. We've also got a tweed shoulder patch jumper with elbow patches and notched shoulders which is my most worn piece this season (I received mine without label a few months back). Have a wonderful Christmas and look forward to 2010."

On the... oh my, it is just around the corner... day of Christmas

The debut H by Harris collection comprises of two lines, the Q hand quilted nappa leather and the SH wax hide leather collection. Both leave Steve wanting to sell an organ or turn to a life of crime just to have one hanging off his arm. Styles include rucksacks, totes, weekend bags, satchels and laptop skins and of course the H jacket (which Steve has been drooling over ever since he first saw it on Style Bubble). However, today's pick comes from the SH line and is a beautiful tote. This ultra soft waxy nubuck tote bag with long carry handles is just the perfect piece of luxurious everyday luggage.

To find out more about this very special tote we caught up with the lovely designer himself...
"The Sh1 Tote is the kind of bag that is deceptive, a contemporary laptop carrier in the guise of a gentleman's bag. On appearance everyone thinks that this bag and others in the Sh range are made from canvas. It is only when you touch it that you realise that it is crafted from the softest durable waxed leather, which is incredibly tactile. Designed to age with style, each crease it gains adding character to the bag. Internally there is a suspended padded pouch for you to place your laptop whatever the size. There is space either side for documents, magazines and much more. Made in Blighty!"

Feel Funky with Denim Junkie

A bit of funk, pop culture and inspiration from horror and fiction Japanese movies… Funmaafia brings for you Denim Junkie – the latest and all-so-cool Japanese born lifestyle based denim brand. Denim Junkie is about a casual comfy look in a revolutionized style, drawing inspiration from slasher and horror movies. When designing Denim Junkie, designers Laura Sfez and her brother Emmanuel Sfez felt enthusiastic about creating something on the theme originating from Japanese horror movies and typical American slasher films.

The denims include various interesting styles and features, including skinny jeans and sexy denim shorts. Slashed cuts, funky designs, awesome monster and movie-themed graphics scattered all over fine denim fabric – Denim Junkie is for all the rock and rolla fans out there! Music, art, pop culture fused within denim – a brilliant idea in striking designs!